Game info

Luzi discover true historical events and meet a crimson dragon. Together with a white dragon, an Elven woman, and others, they find knowledge dismissed by established society. Luzi's unborn daughter brings light into everyone's hearts.

The story is not based on drama and conflict, but loaded with a deep understanding of the human and beyond and hints at transformative choices in life.
In this third book, Luzi looks into our connection to nature and gets a deeper understanding of life, nature, the planet and creation itself. This connection is initially established with a consciousness that appears as the human concept of the Unicorn. The horn is not really a horn, but a swirl of energy or, more precisely, a point of consciousness for communication to consciousness and energy. This point is widely misunderstood to be the third eye, as people imagine it to connect to the visual cortex for creating images.
When Luzi visits the twenty-two crystal caves, she encounters the new energy that may benefit the one who has the consciousness to tap into it.
Luzi's perspective is the artificial intelligence, AI, robotics and augmentation and evolution of the human body, and how humanity will live with these things. Her daughter, Julia, focuses on the human coalition with the planet and the imbalance between the feminine and the masculine.
Divine wisdom is given through the unicorn, Alea, the white dragon, Loong, the crimson dragon, Shaumbra, Gaia, Pan, Kuthumi, Saint Germain, Sekhmet and others. Luzi will connect to her own divine wisdom as she continues on her journey for embodied realisation, also called enlightenment.

The novel has 316 graphical elements and contains over 60,000 words. 30 illustrated beings. Default to 1920x1080.

Eriqa Queen

How I connect to my story: I start with an idea, a working title. This idea has an ethical, but dormant counterpart. As I put words, often the title, into my manuscript, the idea becomes active. This creates a sparkle of consciousness in the imaginative realm. This is how all creations start. - This is intuitive, nonmental writing. My mind doesn't create the story and is often surprised what is put into the manuscript. - The sparkle becomes a light as it draws more ideas in. Characters emerge with their own personalities and the first contact are very special. Again, it is not a mind thing, but a 'heart' thing. I connect and feel the character. Sometimes I know (like in knowingness which isn't a mind thing), the character is there, but it takes some time or the right conditions in the plot, before it opens and joins the plot. It is quite fascinating. - I use present tense and mostly dialogues. My primary person (antagonist) is the first-person dialogue, and I do not switch into other characters' minds and feelings, they must show themselves through actions. This way, it presents my descriptions in the present tense in 'dialogue' with the reader. The reader and the 'writer' experience the story together. The 'writer' does not know more than the reader at any point in the story.