Game info

Luzi discover true historical events and meet a crimson dragon.Together with a white dragon, an Elven woman, and others, they find knowledge dismissed by established society. Luzi's unborn daughter brings light into everyone's hearts.

Based on book 2 of 5 in the Luzi Cane series.

This is not a story based on drama and conflict, but loaded with a deep understanding of the human and beyond and hints at transformative choices in life.

This second book in the series brings more pieces to the puzzle, to connect already-placed pieces scattered on the table-top we call 'the human experience'. When the Christ Consciousness around 630BC, a celestial order of teachers and supporters named The Crimson Council was formed. In parallel, a human group got together on Earth and to identify individuals in the Crimson Circle. Over the years, the collective consciousness of this group has become an entity of its own and may as a crimson dragon named Shaumbra!
Luzi works with two students to discover true historical events and meet this crimson dragon. It turns out that Shaumbra has quite a personality and, together with the white dragon, Loong, the Elven woman, Josela, Quan Yen, Gaya, Merlin, Nikola Tesla, Saint Germain and others, they gain information from the past and future. What they find , but it fits with hidden and not-so-hidden knowledge dismissed by established society. Luzi's unborn daughter brings light into everyone's hearts and plays a major role in balancing a broken family. All end up having a different view on life. Even though the book is part of a series, this is a complete story in its own right.

The novel has 156 graphical elements and contains over 56,000 words. 22 illustrated beings. Default to 1920x1080.

Eriqa Queen

How I connect to my story: I start with an idea, a working title. This idea has an ethical, but dormant counterpart. As I put words, often the title, into my manuscript, the idea becomes active. This creates a sparkle of consciousness in the imaginative realm. This is how all creations start. - This is intuitive, nonmental writing. My mind doesn't create the story and is often surprised what is put into the manuscript. - The sparkle becomes a light as it draws more ideas in. Characters emerge with their own personalities and the first contact are very special. Again, it is not a mind thing, but a 'heart' thing. I connect and feel the character. Sometimes I know (like in knowingness which isn't a mind thing), the character is there, but it takes some time or the right conditions in the plot, before it opens and joins the plot. It is quite fascinating. - I use present tense and mostly dialogues. My primary person (antagonist) is the first-person dialogue, and I do not switch into other characters' minds and feelings, they must show themselves through actions. This way, it presents my descriptions in the present tense in 'dialogue' with the reader. The reader and the 'writer' experience the story together. The 'writer' does not know more than the reader at any point in the story.