Game info

The black dragon tells the truth of the human's dark side. Sekhmet, the black lion goddess, Isis the Mother goddess and new creatures join the family. Julia plays a vital role in building the village into an important part of a greater area.

This is not a story based on conflict, but loaded with a deep understanding of the human and beyond and hints at transformative choices in life.

The first time Luzi meets the black dragon named Knight he says, "I am here so you can pass on the truth of the human's dark side and to clear up your own. I am here so you can pass on the truth of what people call their dark side. This has to be integrated into the trinity which is your I Am, your Master Wisdom or soul that is your wisdom gathered through all your lives, and your human self."
Sekhmet is back in the family as the cat Boomer, but now also as the black lion goddess when she teams up with the black dragon. New entities and creatures will also join the family, and other changes emerge.
Luzi finds out what our mind and memory really are, and how Artificial Intelligence at some point will create human emotions.
Luzi and Ju-long's daughter, Julia, play a vital role in building the local village into an influential part of a much greater area.
This book is part four of a series, but contains a complete story in its own right, even though the story develops through the series.

The novel has 360 graphical elements and contains over 56,000 words.
28 characters with graphics. Default resolution is 1920x1080.

Eriqa Queen

How I connect to my story: I start with an idea, a working title. This idea has an ethical, but dormant counterpart. As I put words, often the title, into my manuscript, the idea becomes active. This creates a sparkle of consciousness in the imaginative realm. This is how all creations start. - This is intuitive, nonmental writing. My mind doesn't create the story and is often surprised what is put into the manuscript. - The sparkle becomes a light as it draws more ideas in. Characters emerge with their own personalities and the first contact are very special. Again, it is not a mind thing, but a 'heart' thing. I connect and feel the character. Sometimes I know (like in knowingness which isn't a mind thing), the character is there, but it takes some time or the right conditions in the plot, before it opens and joins the plot. It is quite fascinating. - I use present tense and mostly dialogues. My primary person (antagonist) is the first-person dialogue, and I do not switch into other characters' minds and feelings, they must show themselves through actions. This way, it presents my descriptions in the present tense in 'dialogue' with the reader. The reader and the 'writer' experience the story together. The 'writer' does not know more than the reader at any point in the story.